{"id":4331,"date":"2026-06-16T05:34:45","date_gmt":"2026-06-16T05:34:45","guid":{"rendered":"https:\/\/orlandorelocationreport.com\/?p=4331"},"modified":"2026-06-16T05:34:45","modified_gmt":"2026-06-16T05:34:45","slug":"la-museum-highlights-jewish-roots-that-shaped-worlds-most-popular-soccer-styles","status":"publish","type":"post","link":"https:\/\/orlandorelocationreport.com\/?p=4331","title":{"rendered":"LA museum highlights Jewish roots that shaped world\u2019s most popular soccer styles"},"content":{"rendered":"
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By Kevin Baxter, Los Angeles Times<\/p>\n

LOS ANGELES \u2014 B\u00e9la Guttmann may be the most consequential soccer coach you\u2019ve never heard of. But if it weren\u2019t for Guttmann, you may never have heard of Pel\u00e9.<\/p>\n

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And Brazil may never have become the greatest soccer-playing country on Earth.<\/p>\n

That\u2019s because Guttmann changed the shape of modern Brazilian soccer \u2014 and changed the sport forever \u2014 when he imported the revolutionary 4-2-4 system from Hungary to Sao Paulo in 1957. A year later, Brazil won the first of five World Cups and the joga bonitowas born.<\/p>\n

But what Guttmann brought to Brazil isn\u2019t nearly as interesting as how he got it there. That\u2019s just one of the fascinating stories in \u201cThe Beautiful Game \u2026 The Untold Story,\u201d the exhibit that opened at the Holocaust Museum LA on Sunday at the Goldrich Cultural Center, a $70-million expansion that doubles the size of the Pan Pacific Park museum\u2019s campus to 70,000 square feet.<\/p>\n

The exhibit was unveiled during a private reception on Saturday followed by a free preview day open to the public from 10 a.m. to 5 p.m. The grand public opening will take place in August.<\/p>\n

The show\u2019s launch coincides with eight local World Cup matches, which kicked off with the United States\u2019 4-1 win over Paraguay on Friday at SoFi Stadium, and it shines a light on the important but largely overlooked relationship between Jewish life and the global game, as well as how Jewish innovators like Guttmann shaped the modern rhythm, style and culture of the sport.<\/p>\n

\u201cIt was in the same intellectual level as jazz, as art and everything modern and progressive,\u201d journalist Allon Sander, who helped curate the exhibit, said of Jewish participation in European soccer in the years before World War II.<\/p>\n

<\/p>\n

\u201cThe origin of the game and how it intersects with Jews and the Holocaust and the impact that these Jewish footballers and coaches had to shape the game and help popularize the sport is so fascinating,\u201d added Beth Kean, the museum\u2019s CEO. \u201cAnd it\u2019s an unknown history.\u201d<\/p>\n

Much of that story can be told through Guttmann, who was born in Budapest in the final year of the 19th century and developed into one of the sport\u2019s first Jewish stars, representing Hungary in the 1924 Olympics and playing for nine teams in two countries before retiring to become a coach.<\/p>\n

But none of that success mattered when the Hungarian government began introducing anti-Jewish laws in 1938, costing Guttmann his job and nearly his life when he was sent to a Nazi forced-labor camp, where he was tortured. Just days before he believed he would be shipped to Auschwitz, which meant certain death, he escaped alongside Erno Erbstein, another Jewish coach.<\/p>\n

Erbstein revolutionized soccer in Italy before dying in 1949, along with the entire Torino team, when their plane crashed into a hilltop outside Turin. Four years ago, he was inducted into the Italian soccer hall of fame. Guttmann, meanwhile, who lost much of his family in the Nazi death camps, would go on to coach for 42 years in 14 countries, winning championships in six of them yet only staying in a single place for more than two years just once.<\/p>\n

<\/p>\n

\u201cHe\u2019s running away from his demons,\u201d said Ronen Dorfan, a journalist and sports historian based in Budapest whose research was instrumental in putting the exhibit together. \u201cHis father was murdered, his sister was murdered. You never know how you survived in Budapest during the war so he had guilt feelings.\u201d<\/p>\n

The exhibit was designed in three sections, the first devoted to the years before World War II, the second is about the Holocaust and the third is the postwar years. And while it details Jewish participation in, and influence on, global soccer, it also challenges the clich\u00e9 that Jews were intellectuals, artists and laborers but not athletes.<\/p>\n

\u201cWe are always trying to challenge stereotypes. Stereotypes that we might have about ourselves and even stereotypes that we believe about others,\u201d said Jordanna Gessler, the museum\u2019s vice president of education and exhibits who helped curate the show. \u201cIt\u2019s crucial to help people find their place and their voice and really see the unity, the similarities between people.<\/p>\n

\u201cThis is a story that was lost in time and we\u2019re really bringing it out,\u201d Gessler added. \u201cTo really have this conversation and encourage people to explore stories that they might not know.\u201d<\/p>\n

One thing people might not know is that in the 1920s and \u201930s, Europe\u2019s best teams weren\u2019t in England, Germany or France, but in Austria and Hungary, where they were led by Jewish players and coaches such as Hugo Meisl, Jozsef Braun, Arpad Weisz, Marton Bukovi, Gusztav Sebes and Gyula Mandi. Weisz and Braun were both killed by the Nazis.<\/p>\n

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The surge of antisemitism and fascism in Germany, Italy and Eastern Europe helped spread the influence of those revolutionary players and coaches around the world.<\/p>\n

\u201cWith the rise of the Reich and the Holocaust, the coaches ran away,\u201d Dorfan said. \u201cAnd they ran to every corner of the world, to Brazil, to Argentina, to Portugal [and] provided coaches to Real Madrid, to Barcelona, to Benfica, to Flamengo.<\/p>\n

\u201cThere isn\u2019t one of these clubs that doesn\u2019t owe its tactical development in the \u201940s and \u201950s to the Jewish coaches, which came primarily from Hungary.\u201d<\/p>\n

The primary tactical development was the shift from the popular but rigid 2-3-5 formation, which required immense physical endurance and tactical discipline, to the fluid 4-2-4, which spread the wingers to the touch line and allowed for improvisation and creativity on the attacking end, a formation pioneered in Budapest in the 1920s.<\/p>\n

\u201cThey developed a more refined game of passing the ball, keeping it on the carpet rather than the English kick and run, and really put thought into tactical thinking,\u201d Dorfan said.<\/p>\n

Guttmann, who played or coached for more than two dozen teams in his career \u2014 including one, in Romania, that paid him in vegetables during the postwar period \u2014 brought the Hungarian approach to Brazil in 1957 when he coached Sao Paulo to a championship. After Vicente Feola, the manager Guttmann replaced at Sao Paulo, took over the national team a year later, he brought the formation with him, popularizing many of the tactics still used in modern soccer, such as fluid defensive wingers, overlapping full backs, the use of a withdrawn striker and an attacking midfield.<\/p>\n

\u201cHe is the whole exhibition in one man,\u201d Dorfan said of Guttmann.<\/p>\n

\u201cObviously if we wouldn\u2019t have had the Holocaust, those [coaches] wouldn\u2019t be kept out of Europe, Europe would be much stronger, much more developed. [And] then the development of Brazil or the success of Brazil would be coming much later,\u201d Sander said.<\/p>\n

Dorfan spent the better part of two years tracking down many of the more than 100 trophies, uniforms, photos and trinkets that make up \u201cThe Beautiful Game\u201d exhibit, a search that required determination, perseverance and more than a little luck. Many of the items, because of their ties to Jewish athletes and teams, were hidden during the war and presumed lost. Others resurfaced only through detective work that sent Dorfan following leads that spanned decades and crossed more than a dozen borders.<\/p>\n

That also cost money. So Alan Rothenberg, the man who, as president of the U.S. Soccer Federation, first brought the World Cup to Los Angeles 32 years ago, stepped up to lead an effort that raised more than $1 million to fund the exhibit.<\/p>\n

\u201cThe story really needs to be told, particularly with what\u2019s going on right now with respect to antisemitism,\u201d Rothenberg said. \u201cIt\u2019s really important for people to realize what can happen. And soccer is a great vehicle to draw them in. The one main thing in the museum is bringing schoolkids in.\u201d<\/p>\n

The Nazis and their collaborators failed in their attempt to erase the history of Jewish soccer pioneers; in fact, they inadvertently popularized both the men \u2014 and women \u2014 and their ideas. But the sport also helped other Jews survive a dark period and Kean said that may be the most beautiful and uplifting part of \u201cThe Beautiful Game.\u201d<\/p>\n

\u201cThe main reason we decided to do this exhibition in the first place is because for years so many survivors, when they talk about their life before the war, so many of them talk about soccer. So many of them were passionate and fond of the sport,\u201d she said.<\/p>\n

\u201cWe knew the exhibit opening was going to coincide with the World Cup. L.A. is going to be on the world stage. This is a great opportunity for the museum to get these stories out.\u201d<\/p>\n

____<\/p>\n

\u00a92026 Los Angeles Times. Visit latimes.com. Distributed by Tribune Content Agency, LLC.<\/p>\n

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LOS ANGELES \u2014 B\u00e9la Guttmann may be the most consequential soccer coach you’ve never heard of. But if it weren’t for Guttmann, you may never have heard of Pel\u00e9. And Brazil may never have become the greatest soccer-playing country on Earth. 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